A. Stella Tennant Wedding Dress Could Look Like The Chicest Thing You’d Ever Seen
Stella Tennant was “very very”, she was thrilled with British Vogue in the story that introduced her to the world of fashion, although “presented” is a strange and inappropriate name here. This session, a Steven Meisel portfolio of Aristine punk that turned its traditional origins upside down (“Anglo-Saxon Attitude,” the headline said), was Tennant’s first session, but it fascinated the tired fashion guys who they saw it meanwhile, so it was photographed and when it finally came out in the December 1993 edition, it appeared on the cover of Italian Vogue with Linda Evangelista and paraded for Chanel, Dolce & Gabbana and Jil Sander. Tennant was more interested in art at the time, not particularly in modeling. “It’s exciting in part,” she told Vogue, “but it can be terribly boring.”
And yet this photo started a 27-year career in 1993, a longevity enjoyed by only a few top models, many of whom deserve the nickname “Super” for their problems. She didn’t have the recognizable name of some of these colleagues – no mononym for Cindy, Naomi, Christy – but she was revered by designers as different as Karl Lagerfeld, her former champion, and Helmut Lang. In the photos, she can be feline or imposing, an artist who changes quickly and can look like a queen or princess, or one in disguise of the other.
“It was everything and the palace could fit anywhere in the country,” said stylist Grace Coddington, herself a former model. It “would carry whatever it was packing, so in the next minute it could look like the most sophisticated thing you’ve ever seen”. And unlike many of the models in her class, Tennant worked regularly in magazines and high-fashion shows until January, until her sudden death on Tuesday. Scottish police, who were called to her home on the Scottish border, confirmed her death and said there were no suspicious circumstances. Her family called her “an inspiration to us all” in a press release and asked for privacy. No reason was given.
Now, if you look at the first picture, Tennant’s fame seems like a foregone conclusion. Even among the other girls in society with their rich London background stories – Bella Freud, daughter of the painter Lucien Freud; Plum Sykes, who went to Oxford’s Vogue closet; Lady Louise Campbell, who was flown by helicopter for the filming of Chateau Moët et Chandon, France; and Honor Fraser, whom Tennant later recalled as “just outside a monastery and already known as a model” – Tennant stands out. She was a beautiful androgynous woman with short, tousled hair and black contoured eyes and, more shockingly, a silver ring on the nose septum, long before such things spread to girls like her. That nose ring was a sensation that the New York Times had already covered. “Piercing Picks Up,” wrote Amy Spindler in her October column. Tennant was the “model of the moment”, her nose and navel piercing were a shock on Gaultier’s catwalk. “The aristocratic beauty said she did it to contradict what people would think of her,” wrote Spindler. Tennant told her, “The nose ring definitely reminds people of me.”
If the nose ring fixed her in the minds of the American press, so did her noble family in the minds of the British. Tennant’s family received titles from both sides: she was the granddaughter of the Duke and Duchess of Devonshire (her grandmother, known in her later years as Deborah, widow of the Duchess of Devonshire, became one of the famous Mitfords as Deborah Freeman -Mitford, born sisters) on the maternal side and the 2nd Baron Glenconner on the paternal side. The family spent Christmas in Chatsworth, and later she remembered driving around the house with her sister. “Everyone wants to write about me because my grandparents have titles because I’m the granddaughter of the Duke and Duchess of Devonshire,” she complained in 1996. “Sure, that’s part of me. I mean, I love my family, but I’m not . I grew up on a farm in Scotland. ”
This, of course, was not enough to stifle the fascination, and although Tennant easily carried her status, she did not always refuse. In addition to the Burberry model, a native brand in England, she was also a consultant. She offered what the New Yorker called “house scraps”, like her mother’s floral quilt, to report on the house’s designs. Bruce Weber and Martio Testino photographed them with Debo in Chatsworth, occasionally of the Cavendish women remembered with love, but lightly. “The ‘session’ when Stella arrived with Bruce and his eleven assistants was of a very different nature than when King Edward VII and Queen Alexandra came to the photo shoot at the beginning of the last century,” wrote the Duchess in her memoirs. “Pheasants were the target at that time and photographers were controlled.” (“Fashion,” she wrote to her correspondent, English writer and adventurer Patrick Leigh Fermor, “is as strange as people.”)
But over the years, Tennant’s incredible work eclipsed her training and the punk shock of her nose ring. (The increasing spread and the final ubiquity of the piercings helped.) For someone with such a specific look, she could be extremely versatile, as real as punk, as feminine as and androgynous.
She was admired by designers and photographers; For many, she was a muse. “When I first met Stella, I was absolutely thrilled,” wrote Marc Jacobs on Instagram today. “Her beauty, style and body language, combined with her manner, friendliness, sense of humor and personality, were like no other.” “I am deeply broken, shocked and completely lost,” wrote Helmut Lang today. “I will keep my 26 years with you as soul mates forever. You were my friend, my family and my muse. ”
When Cathy Horyn recalled Model’s all-star game that opened The Model as Muse at the Met in 2009, she looked, as Cathy Horyn recalled, “the most chic of all.” “It was always green,” Horyn told me. “I was always happy to see Stella on the catwalk. She was always fresh. It was a connection to the fashion of the last few decades. ”
In 1999 she married David Lasnet, a former assistant to Mario Testino and his own photographer, and had four children: Marcel, Cecily, Jasmine and Iris. (Testino photographed his wedding; the bride wore Helmut Lang.) She continued to work, but she also found refuge with her family in Scotland. “Stella was the definition of the original in everything she did and everything she represented,” said Anna Wintour, suggesting that her long career and the fascination that inspired her with each new generation was due in part to her ability to come and go. of fashion. “Stella has been a wonderful collaborator and colleague for many of us over the years,” said Wintour, “but she has never been happier than leaving fashion behind and joining her beloved family and friends and a distant family. life can come back in Scotland. “Did darkness start to invade that happiness? It’s hard to know. The UK tabloids were not shy about pointing out that Tennant and Lasnet split this year.
Many who knew her reacted in shock to the news of her death today. A tremor disturbed what might otherwise have been the silent fall on Christmas break. Coddington, a co-worker and longtime friend, said her phone rang all day. Tennant took one of his most famous photos in a tweed suit and country wellies with Coddington and plunged into a pool in his first photo together in the Hamptons in August 1995. “She was always just a game for everything, always, always, always “said Coddington. “It was very hot and they were winter clothes. I think we took this picture and she said, “My God, now I can jump in the pool”. We said to do that. She took an absolutely perfect dive. She was like that – she was always ready for anything. I think that’s why they loved everyone. ”
B. A Tribute to Stella Tennant, a Unique Spirit
“Stella got off the train from Scotland and smelled like goats,” Isabella Blow laughed at me on the phone. It was the summer of 1993 and Stella Tennant had been researched for the December story of British Vogue “London Babes”, which would be directed by Steven Meisel. The portfolio was orchestrated by Isabella Blow and stylist Joe McKenna, and they were looking for striking blue blood with a Meisel-level fascination. The young, slim writer Plum Sykes had also gone hunting and remembers the “tiny passport photo” that Stella gave Isabella with her septum ring. “She looked remarkable,” recalls Sykes, “she came in and was so incredibly cool that I was intimidated. She was so sensible and not vain, she was not great, she was just a beautiful and very nice beet. “Sykes continues,” She looked like a model, but was very balanced. She looked amazing in overalls – she had incredible glamor. “” She had a nose ring – very rusty – and it was very scary Isabella Blow told me. “She reminded me of a farm animal. I can cut hard, but a hard look is something else – I was afraid! Her beauty was in her eyes – she was absolutely wild like a wild bird, a tomboy, that she had never used one dress. ”
Stella also had the bluest blue blood. Her mother, botanical artist Lady Emma Cavendish, was the daughter of the 11th Duke of Devonshire and his wife, Deborah “Debo” Devonshire, the youngest of the Mitford sisters who was famous for being quirky and beautiful and whose entrepreneurial talent was Chatsworth, the history the family owned Devonshires have become one of Britain’s biggest travel destinations. Stella’s father, Tobias William Tennant, was the son of 2nd Baron Glenconner and the younger brother of Colin Tennant, 3rd Baron Glenconner, who bought the Caribbean island of Mustique with a youthful heritage and turned it into a real playground License fees. As an insecure teenager, Stella remembers visiting her eccentric uncle, the honorable Stephen Tennant, who was a brilliant and famous young man in the 1920s. “The nose!” he shouted when his great-niece entered the room to which he retired for decades working in Lascar, a creative pre-war novel about the maritime boulevards and excited sailors of Marseille that he would never end: “The nose! “Stella, very confident, turned purple and worried about what was wrong with her nose. “Ah yes,” continued his great-uncle, “… they always said I had the most beautiful nose.”
C. Stella Tennant: British supermodel dies suddenly at the age of 50
British supermodel Stella Tennant died suddenly at age 50, her family confirmed.
They paid tribute in a statement: “It is with great sadness that we announce the sudden death of Stella Tennant on December 22, 2020.
Arrangements for a memorial service will be announced at a later date, they added.
Tennant lived in Duns, a town on the Scottish border, and died on Tuesday, five days after his 50th birthday.
In a statement, a Police Scotland spokesman said: “The police were called to an address in Duns on Tuesday, December 22, around 11:30 am, after the sudden death of a 50-year-old woman.
- “This has been brought to the attention of your immediate relatives. There are no suspicious circumstances and a report will be submitted to the Treasury Attorney.”
- Kate Moss’s official Instagram page posted a photo of the supermodels together on a magazine cover with the words: “Rest In Peace, Darling Stella”.
In another Instagram post, Victoria Beckham wrote: “It is very sad to hear the devastating news about Stella Tennant. She was an incredible talent and someone for whom I had so much admiration and respect … I just loved everything about her. My thoughts are with her. her family. ”
Stylist Stella McCartney wrote on social media that she loves her “dear Stella” and added: “I will miss you so much. What sad and terrible news to end this already shocking year! My heart goes out to your stunning family who must be in undeserved pain.
- “I am speechless … rest in peace, you inspiring woman. Your soul and inner beauty have overcome external perfection, Stella. May you ride the most perfect horse high above us, forever in peace.”
- Tennant’s modeling career began in 1993, at the age of 23, with a photo shoot for the December issue of British Vogue. Then she went to the catwalks of designers like Gianni Versace, Karl Lagerfeld and Alexander McQueen.
Known as an aristocratic supermodel, the granddaughter of the 11th Duke of Devonshire, Andrew Cavendish and Deborah Mitford, was one of the models who represented the UK fashion industry during the closing ceremony on the last day of the London Olympics 2012 – alongside Kate Moss, Naomi Campbell and David Gandy.
During her career, she has posed several times for magazines such as French, British and Italian Vogue, as well as Harper’s Bazaar and, most recently, appeared on the cover of British Vogue in December 2018. The fashion magazine published an essay in honor of which she wrote Follow his cover and visit the portraits that started his career.
- “Few models have influenced British fashion so much,” said the magazine.
In the late 1990s, Lagerfeld announced Tennant as Chanel’s new face, and she became the muse of the stylist, to whom he attributed her resemblance to Coco Chanel. Over the years, she has also appeared in several advertising campaigns for major fashion brands, including Calvin Klein, Chanel, Hermes and Burberry.
- New York Times fashion director Vanessa Friedman also said on Twitter: “Stella Tennant, the coolest of the Aristo models, has died. I will never forget to see her at Helmut Lang fashion shows – hand chic.”
- In June 2012, Tennant was nominated for the Scottish Fashion Awards Hall of Fame for Model of the Year.
She married French photographer David Lasnet in 1999 in the small parish church of Oxnam, on the borders of Scotland, and they had four children.